Sakarit is a Graphic Designer & Visual Artist, based in Brooklyn, NYC | E: [email protected]
Before completing high school, I began my career early—working with a family-owned business specializing in shoes and genuine leather goods. This hands-on experience shaped my understanding of craftsmanship, materials, and timeless design. Some of my early footwear designs, including shoes and boots, can be found below.
This collage is a reconstruction of old dresses I created, reimagining them in a modern form through layered composition.
I took an unconventional path, venturing beyond traditional design education. Collaborating as a co-fashion designer with couturiers in Bangkok, Thailand, I contributed to hotel uniforms, cocktail dresses, and couture gowns—despite not having formal training in fashion design. Here, I developed a sharp intuition for structure, textiles, and elegance.
This collage is a reconstruction of old dresses I created, reimagining them in a modern form through layered composition.
This collage illustrates the journey from an initial sketch to an AI-integrated composition, showcasing how artificial intelligence enhances the design process—refining details, textures, and realism to bridge the gap between concept and execution.
This work breathes new life into iconic collages, visualizing how figures like Mona Lisa and other classical subjects might dress in today’s world. By merging historical artistry with modern fashion aesthetics, it explores the evolution of style across centuries—bridging the past with the present in a striking visual narrative.
"No Mads Released - Mona Lisa"
This photomontage reconceptualizes the Mona Lisa with a blend of bohemian style and Rococo aesthetics. This fashion illustration serves as an ideal prototype for creating the actual costume.
"No Mads Released - Joséphine-Éléonore-Marie-Pauline"
This photomontage reconceptualizes Jean-Auguste-Dominique Ingres's "Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie" with a contemporary look, incorporating bohemian style and Rococo aesthetics, and featuring a seamless floral background.
Recently, I’ve focused on fashion accessories, including backpacks and totes crafted from discarded materials and found objects. By blending trash with haute couture aesthetics, I challenge perceptions of waste and elevate sustainability into luxury.
Once worn by the Grenztruppen der DDR (Border Troops of the German Democratic Republic) during the Cold War, this coat carried the weight of surveillance and control. Through upcycling, it has been transformed—adorned with jingle bells, artificial flowers, plastic bottles, and plastic straps, each element disrupting its former identity. The rigid military garment now challenges perceptions of history, sustainability, and reinvention, turning a relic of division into a bold artistic statement.
At the core of my work is an obsession with hyper-detail, intricate layering, and bold storytelling—each piece woven with intention. Here, you’ll find a collection of my old sketches, newly refined illustrations, and latest fashion and accessory concepts—designs I plan to transform into a dramatic, operatic fashion collection soon.